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☆☆☆ ? Tárrega: Guitar Edition & The Best of Tárrega & Best of Francisco Tarrega - Classical guitar Compilation 본문

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☆☆☆ ? Tárrega: Guitar Edition & The Best of Tárrega & Best of Francisco Tarrega - Classical guitar Compilation

Ador38 2021. 2. 22. 12:52

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2019. 2. 1.

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**  The Best of Tárrega

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2020. 4. 13.

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Works performed by Giulio Tampalini Fransisco Tárrega was born on November 21, 1852 in Villareal, Spain.

An accident marked his childhood when, apparently, he fell into a ditch in the carelessness of the girl who was taking care of him, and his sight was damaged.

 

His father, fearing that he would be blind, moved to Castellón to attend music classes and earn a living as a musician. He entered the Madrid Conservatory in 1874, where he studied composition with Emilio Arrieta.

 

At the end of 1870 he taught guitar (Emilio Pujol and Miguel Llobet were his students) and gave concerts regularly. Virtuous of his instrument, he was known as the Sarasate of the guitar. In 1880 he gave recitals in Paris and London.

 

During the winter of 1880, he replaced his friend and guitarist Luis de Soria at a concert in Novelda (Alicante), the city where he met his future wife, María Rizo. Tárrega passed away on December 15, 1909 from a stroke in Barcelona, ​​Spain.

 

Apart from his original works for guitar, which include Memories of the Alhambra, Tear, Capricho Árabe, Variaciones sobre la Jota Aragonesa and Danza Mora, he arranged pieces by other authors for this instrument, such as some by Ludwig van Beethoven, Frédéric Chopin, Felix Mendelssohn and the famous Spanish Serenade by the Spanish Joaquín Malats.

 

Like others of his Spanish contemporaries, his friend Isaac Albéniz, for example, Tárrega was interested in combining the romantic tendency that prevailed in classical music with the Spanish popular elements.

 

The well-known contemporary guitarist Angelo Gilardino wrote that the 9 preludes of Tárrega are «... the deepest musical thought of Tárrega in a concentrated way». He is considered the creator of the foundations of the classical guitar technique of the 20th century and of the growing interest in the guitar as a recital instrument.

***  Best of Francisco Tarrega - Classical guitar Compilation

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2019. 11. 18.

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00:11 Recuerdos de la Alhambra - played by Ana Vidovic on a Jim Redgate

04:43 Capricho Arabe – played by Marcin Dylla on six different guitars

09:47 La Alborada – played by Tilman Hoppstock on a 1977 Robert Bouchet

 

11:49 Maria – played by Andrea González Caballero on a 1990 Dominique Field

13:30 Jan Depreter plays plays Marieta 'Mazurka' by Francisco Tárrega on a 1911 Vicente Arias

15:21 Fantasía sobre motivos de la traviata de Verdi – played by Andrea De Vitis on a 2016 Francois Leonard and 1968 Daniel Friederich.

 

22:50 El Columpio – played by Marcin Dylla on a 1999 Ignacio Fleta e hijos.

26:09 Oremus – played by Matteo Staffini on a José Ramirez Ex Segovia.

27:27 Prelude No 1 – played by Matteo Staffini on a 1975 Daniel Friederich Ex Ragossnig.

 

29:05 Prelude No 3 – played by Matteo Staffini on a Hermann Hauser II 1970

29:56 Prelude No. 5 – played by Matteo Staffini on a 2003 Antonio Marin Montero

31:40 Prelude No 11 – played by Matteo Staffini on a 1885 Vicente Arias

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